Movie Parliament
  • Home
  • Reviews
  • This House
  • Articles
  • Foreign Affairs
    • Cannes 2017
    • Cannes2016
    • 2016 Oscars Predictions
    • 2015 César Awards
    • 2014 César Awards
    • 2014 French Bloggers Awards
    • Top10 2014
    • 2013 César Awards
    • 2013 Cannes Coverage
    • European Film Awards 2012
    • (50) Films of Summer
    • 2012 Cannes Coverage
    • 2011 César Awards
    • 2011 Cannes Coverage
  • Film History
    • Classic Films
    • Cult Movies
    • Foreign Masterpieces
  • Awards
    • Awards Decade 2011-2020
    • Awards2020
    • Awards2019
    • Awards2018
    • Awards2017
    • Awards2016
    • Awards2015
    • Awards 2014
    • Awards 2013
    • Awards 2012
    • Awards 2011 >
      • FYC - Best 2011 Film
  • Top 50 of the Decade
    • 2009
    • 2008
    • 2007
    • 2006
    • 2005
    • 2004
    • 2003
    • 2002
    • 2001
    • 2000
  • Summer Movie Wager
  • 2018 Most Anticipated

Argo

9/28/2012

1 Comment

 
Picture
Writer: Chris Terrio 
Director: Ben Affleck 
Starring: Ben Affleck, Bryan Cranston, John Goodman, Kyle Chandler and Alan Arkin

Review Written By: Michael Dalton

Argo is a film that takes two of my interests in life, films and politics, marrying them in order to a form a fascinating, tense and involving cinematic experience. Argo tells the story of the 1979 Iranian Hostage Crisis that was never told. When six escaped the sieged U.S. embassy and resided in the household of the Canadian ambassador, it was only a matter of time before their absence was noted. When the C.I.A were instructed to devise a plan to get them out, Tony Mendez (Played by the film’s director Ben Affleck) ultimately devised a plan that required the construction of a fake movie. Posing as location scouts for members of a Canadian film crew, Mendez would call on his allies in Hollywood in order to make the most important film of their lives.

With (The underrated) Gone Baby Gone and (The overrated) The Town, Ben Affleck made a great start to his directorial career. However it is with Argo, that he has become a great director. Moving away from Boston, Affleck has made a film, which is his most mature, stylish and accomplished to date. The opening is perhaps a perfect microcosm of the film’s tone and Affleck’s direction throughout. The history of the Iranian revolution is presented to us in a coherent manner, visualized through the form of cartoon storyboards mixed in with real life footage. Throughout the film Affleck is telling an important, real-life story, yet doing so in a visually involving, exciting and accessible manner.

Given its period setting, the film is very well produced and designed. There isn’t a single out of touch element and with the references to Network and Star Wars, the soundtrack and the costumes; you are very much in the late seventies. During the credits stills from the film are compared to stills from real life, instigating a realization as to just how accurately Affleck and co. have recreated the events.

This is a film that Hollywood will absolutely love. Not only do they play a part in saving the day, yet there are jokes which require a deep knowledge of film to understand what they are referencing and a placement in the industry to find it funny (I refer to the WGA joke) Oscar nominations a plenty for this and perhaps a victory for Adapted Screenplay (You heard it here first) However this film is not Hollywood nor the United States slapping itself on the back and instead tells a very simple, near heist story, that moves away, for better or for worse, from making grand political statements.

Where this film succeeds the most, is with its tension. This is a film that places you right in the action, with my audience being so involved, that when the rescue missions hits its apex, there was a round of applause. This is the first time I have witnessed a round of applause during a film. It was a testament to just how much the audience were engaged and how much they cared, with research showing that my screening was not the only one to have such a response. The third act of this film does not lose your attention for a second, with you being right on the edge of your seat without a single explosion or special effect necessary.

In regards to the performances this is a true ensemble effort as there is no one standout. Ben Affleck is perfectly functional in the lead role, however this film finally and definitively certifies that he is a better director than actor (An indication of his skills as a director rather than his skills as an actor…well in this film anyway) Bryan Cranston FINALLY has a supporting role in a film this year which is of some substance. While he is yet to receive the role that his work on Breaking Bad demands, this is a vast improvement and a nice start. The two standouts for many however, will be John Goodman and Alan Arkin. As the Hollywood contingent of the story, they share the majority of the film’s humour. Goodman supposedly nails his portrayal of makeup artist John Chambers, while Arkin plays a fictional movie producer who states, “If I’m going to make a fake movie, it’s going to be a fake hit” That is not the only memorable line of dialogue Chris Terrio’s script provides, with lines such as, “You want to come to Hollywood and act like a big shot without actually doing anything…you’ll fit right in” delivered by John Goodman and Bryan Cranston’s C.I.A agent declaring, “This is the best bad idea we have sir…by far”

The film is reminiscent of Moneyball in two ways. The early scenes where C.I.A planners spin out nonsense only to be shown the light by the lead evokes memories of Brad Pitt saying, “It’s an unfair game” however one of this film’s biggest flaws, it shares with Moneyball. Like Moneyball, there is a rather jarringly placed and unnecessary subplot involving an estranged child. It isn’t developed enough to be powerful (In fact it is developed less than Moneyball’s was) and although it ends the film on a cute note, doesn’t feel as important or as affecting as it could have been. It’s estranged child subplot is just as problematic yet not even as well realized, as the one in Moneyball, which in relation to Argo’s seems much more significant.

The film’s more light touch may also upset some who were perhaps looking for something a bit darker and more controversial, however Affleck doesn’t hit one false note tonally. The film is top to bottom, very efficiently done, incredibly entertaining and well paced, with it telling a fascinating story in a respectful manner. You’ll learn, you’ll laugh and maybe you’ll clap. 

Picture
Summary: A fascinating, tense, involving and satisfying experience. Ben Affleck the director, has well and truly, arrived.

Rating: 8/10

By Movie Parliament Prime Minister,

Michael Dalton

Disagree with this review? Give us your thoughts in the Your Say section. 


1 Comment
I don't need an MC name
3/18/2013 06:42:35 pm

Argo fuck yourself

Reply



Leave a Reply.

    Authors

    Movie Parliament Prime Minister: Michael Dalton

    Minister for Foreign Affairs: Arnaud Trouve

    Minister for History: Leonhard Balk

    Archives

    March 2019
    October 2018
    November 2017
    October 2017
    May 2017
    March 2017
    January 2017
    December 2016
    January 2016
    September 2014
    August 2014
    July 2014
    June 2014
    March 2014
    December 2013
    September 2013
    August 2013
    July 2013
    June 2013
    May 2013
    April 2013
    March 2013
    February 2013
    January 2013
    December 2012
    November 2012
    October 2012
    September 2012
    August 2012
    July 2012
    June 2012
    May 2012
    April 2012
    March 2012
    February 2012

    Categories

    All
    Brad Pitt
    Chris Hemsworth
    Dredd
    Film Review
    Gangster Film
    Kristen Stewart
    New Release
    Sci Fi
    Sci-fi

    RSS Feed

Powered by Create your own unique website with customizable templates.